- BFI identifierN-57563
- TitleQuartet (Original)
Credits
Directed by: Dustin Hoffman
a Headline Pictures production: Headline Pictures
a Finola Dwyer Productions production: Finola Dwyer Productions
in association with: Decca, HanWay Films Ltd
present: BBC Films, DCM Productions
Worldwide Sales and Distribution: HanWay Films
Executive Producer: Dustin Hoffman, Dickon Stainer, Xavier Marchand, Jamie Laurenson, Dario Suter, Christoph Daniel, Marc Schmidheiny
Produced by: Finola Dwyer, Stewart Mackinnon
Line Producer: Nick O'Hagan
Associate Producer: Mark Shivas, Amanda Posey, Christian Baute
Co-associate Producer: Amanda Kaplan
Production Executive: Stephan Trockle For Headline Pictures
Development Executive: Annabel Wigoder For Headline Pictures
Legal and Business Affairs: Adrian Gifford For Headline Pictures, Derek Stubbs For Headline Pictures
Production Executive: Bennett McGhee For Finola Dwyer Productions
Legal Affairs: Olswang For Finola Dwyer Productions, Lisbeth Savill For Finola Dwyer Productions
Accountant: John Morgan For Finola Dwyer Productions
Production Executive: Michael Wood
Head of Legal and Business Affairs: Zoe Brown
Legal and Business Affairs Managers: Livy Sandler
For DCM: Joel Brandeis
Legal Advisor: Lacore For DCM, Matthias Braun For DCM
UK Legal Advisor: Davenport Lyons For DCM, Fraser Bloom For DCM
Soundtrack Executive: Marc Robinson For Decca
Business Affairs: Jackie Joseph For Decca
A&R Executive: Tom Lewis For Decca
Licencing Manager: Charlotte Thomas For Decca
Worldwide Sales and Distribution: Jan Spielhoff Hanway Films, Jonathan Lynch-Staunton Hanway Films, Claire Taylor Hanway Films, Chiara Gelardin Hanway Films, Matthew Baker Hanway Films, Richard Mansell Hanway Films
Production Manager: Philippa Naughten
Production Co-ordinator: Samantha Black
Production Accountant: Shruti Shah
Cost Accountant: Nicola Coats
Cashier: Sophie Oliver
Post production Accountant: Tarn Harper
Assistant Post production Accountant: Linda Bowen
Auditor: Shipleys LLP, Steve Joberns
Collection Account Management by: Fintage Collection Management B.V.
Unit Manager: Paul Harding
Location Manager: Nick Marshall, Jamie Lengyel
Location Assistant: Clare Headley, Natasha Jantania
Post-production Supervisor: Polly Duval
Post-production Manager: Alan Pritt
Production Secretary: Tiziano Niero
Production PA: Ross Forder, Olivia Percival, Harry Arkwright, Max Chase, Duncan Way
Producers' Assistant: Anna Koch, Eoin Glaister, Caroline Bartleet
Floor PA: Tom Pook, Celine Coulson, Sian Anthony, Louise Galizia
1st Assistant Director: Matthew Penry-Davey
2nd Assistant Director: Olivia Lloyd
3rd Assistant Director: Joe Barlow
Director's Assistant: Amanda Kaplan
Crowd AD: Alex Gavigan
Script Supervisor: Libbie Barr
Casting Associate: Ruth Key
Extras Casting: Mad Dog Casting
Voice Casting: Phoebe Scholfield
Written by/Screenplay by: Ronald Harwood
Based on the play by: Ronald Harwood
Director of Photography: John de Borman
Lighting Desk Operator: Andy Munday
Camera Operator: Rodrigo Gutierrez
B Camera Operator: Malcolm McClean
Camera Focus Puller: Sam Barnes
B Camera Focus Puller: Merritt Gold
Camera Clapper Loader: Tobias Marshall
B Camera Clapper Loader: Dash Lilley
Central Loader: Alex Bender, Felix Pickles
Gaffer: Reuben Garrett
Best Boy: , Matthew Butler
Electrician: Eugene Grobler, Peter Harris, Ricky Churchouse
Regular Daily Electrician: Eamonn Fitzgerald, John Antill, Adam Lee
Genny Operator: Adrian MacKay
Camera Grip: Johnny Donne
B Camera Grip: David Holliday
Grip Trainee: Jonathan Smith
Video Technician: Rob Hamilton
Video Trainee: Jack Glowacki
Stills Photographer: Kerry Brown
Graphics Designer: Camise Oldfield
Construction Rigger: Paul Wellstead, Darren Flindall
Standby Rigger: Rob Armstrong
Stagehand: Thibault Martineau
Editor: Barney Pilling
DI Online Editor: Gareth Parry, Nadia Iqbal
Assistant Editor: Matthew Cannings
Production Designer: Andrew McAlpine
Art Director: Ben Smith
Standby Art Director: Laura Conway-Gordon,
Assistant Art Director: Jane Harwood
Set Decorator: Sarah Wittle
Storyboard Artist: John Greaves
Production Buyer: Kimberley Fahey
Construction Buyer: Lucy Moles
Property Master: Terry Wood
Prop Hand: Leigh Bryant
Dressing Props: John Botton
C/H Stand-by Prop: Billy Edwards
Standby Propman: Mark Vann McNeil
Art Department Assistant: Luke Hull
Construction Manager: Jono Myles
HOD Painter: Nigel Kirk
Painter: Johnny Hext, Gary Dempsey, Russell Eade, Joe Weston
Carpenter: Barnaby Papworth, George Augsburger, Jay Butcher, Adam Woodbridge, Richard Douglas, Dave Engleman
Standby Carpenter: Paul House
Costume Designer: Odile Dicks-Mireaux
Costume Supervisor: Nigel Egerton
Costume Trainee: Adelaide Turnbull
Skillset Costume Trainee: Abigail Morgan, Becky Tredget, Rosie Grant, Ellen Cranshaw, Lauren Killcar, Holly McClean, Hayley Stewart
Costume Maker: Clare Ramsell, Maggie Cooke, Alison O'Brien, Amanda Grange
Wardrobe Master: Martin Chitty
Wardrobe Mistress: Kathryn Blight
Make-up & Hair Designer: Daniel Phillips
Make-up and Hair Artist: Beverley Binda, Tapio Salmi
Skillset Make-up and Hair Trainee: Lynn Doron
Make-up and Hair Daily: Eve Wignall, Natalie Reid, Marzenna Fus-Mickiewicz, Sally Collins, Chrysostomos Chamalidis
Titles Design: Momoco
Laboratory Liaison: Clive Noakes
DI Colourist: Asa Shoul
Rushes and Prints by: DeLuxe
Solo Piano: Dario Marianelli
Orchestra Leader: Rolf Wilson
Music Arrangement and Production: James Morgan For Morgan Pochin Music Productions Ltd., Juliet Ponchin For Morgan Pochin Music Productions Ltd.
Music Supervisor: Kle Savidge
Score Co-ordinator: Maggie Rodford
Musicians Contractor: Hilary Skewes
Music Editor: Yann McCullough
Score Recorded and Mixed by: Steve Price
Assistant Engineer: Jez Murphy
Score Recorded and Mixed at: Angel Recording Studios
Technical Music Advisor: Paul Farrington
Additional Music Advisor: Travis Baker, Léon Charles
Piano Tuner: Geoff Caverhill
Score Preparation: Colin Rae
Sound Designer: Glenn Freemantle
Sound Recordist: Martin Trevis
Mix Technician: Tim Sidall
Boom Operator: Dash Mason-Malik
Sound Maintenance: George Trevis
Re-recording Mixer: Ian Tapp, Niv Adiri
Supervising Sound Editor: Glenn Freemantle
Assistant Sound Editor: Emilié O'Connor
Dialogue/ADR Editor: Gillian Dodders
Sound FX Editor: Niv Adiri
ADR Mixer: Mark Appleby
ADR Assistant: Emmet O'Donnell
Foley Artist: Jack Stew
Foley Recordist: Glen Gathard
Foley Editor: Hugo Adams
Stand-in: Ros Rosenburg, Terence Symmons, Kevin Cunningham, Marie Hogle
Security Manager: Tim Smart
Medic: Carrie Johnson
Health and Safety Officer: Barry May-Lebourne
Teleprompter Operator: Martyn Culpan
Film Consultant: Len Brown
Post-production Script: Fatts
Facilities Personnel: Danny Brown, Kenny Johnson
Production Legal Services: Billy Hinshelwood
Facilities Personnel: Jim Darby
Production Legal Services: Phil Rymer
Clearances: Kellie Belle Brocket, Asha Radwan
Insurance: Gallagher Entertainment, Kevin O'Shea
Completion Guarantor: Graham Easton, Film Finances
Unit Publicity: Premier, Phil Cairns, Jonathan Rutter
EPK Director: Kerry Brown
Production Notes and EPK Interviews: Joe Utichi
Transportation Captain: Barrie Williams
Driver to Dustin Hoffman: Fergus Cotter
Driver to Maggie Smith: Symon Butcher
Driver to Tom Courtenay: Bashir Rana
Driver to Billy Connolly: Brian Salisbury
Driver to Pauline Collins: Graham Ashely
Unit Driver: Andrej Korneluk
Camera and Grip Equipment: Movietech
Camera Crane: Alpha Grips, Louma UK
Lighting Cranes: Lee Lifting
Lighting Equipment: Panalux
Minibuses, Coaches: Williams Transport
Facilities Vehicles: On-set Location Services
Sound Equipment: MG Sound
Radios: Wavevend
Action Vehicles: Motorhouse Hire
Tracking Vehicles: Bickers
Cherrypickers: EPL Skylift/Nationwide Platforms
Location Equipment: Supply to Location
Location Pick-Ups: Makin' Movies
Editing Equipment: West 7 Post
Originated on: Kodak
Data Transfer: Steve Owen
Digital Intermediate: Molinare TV & Film London
Digital Film Technician: Mike Andrews
Data Transfer: Katelin Westwood
DI Supervisor: Matt James
DI Co-ordinator: Steve Knight
DI Conform Editor: Jamie Welsh, Mateu Fernandes, Michelle Cort, Theresa Crooks, Tim Drewett
Catering: Fayre Do's
Sound Design & Post-production Recorded at: Sound 24, Pinewood Studios